ol_yellow_eyes (
ol_yellow_eyes) wrote2010-11-06 12:36 pm
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OOMM: Data and River in London
[OOC: Continued from here.]
It had been going so well.
What started as a casual evening stroll through Highgate Cemetery in 19th-century London somehow turned into a flight for their lives. Data did not know why they were running, only what they were running from-- three rather large human males, who seemed quite angry about something. He had also caught glimpses of weapons in their possession, namely a pistol and what seemed to be a horsewhip. (He might have wanted to observe them more closely if he had not been so concerned for River's safety.)
She knew the city better than he did, and she was the one who suggested they take advantage of the city's sewage system.
And that is how they ended up here.
Data turns to River finally. "Now that we are no longer in immediate danger, may I ask why those men might have been pursuing us?"
It had been going so well.
What started as a casual evening stroll through Highgate Cemetery in 19th-century London somehow turned into a flight for their lives. Data did not know why they were running, only what they were running from-- three rather large human males, who seemed quite angry about something. He had also caught glimpses of weapons in their possession, namely a pistol and what seemed to be a horsewhip. (He might have wanted to observe them more closely if he had not been so concerned for River's safety.)
She knew the city better than he did, and she was the one who suggested they take advantage of the city's sewage system.
And that is how they ended up here.
Data turns to River finally. "Now that we are no longer in immediate danger, may I ask why those men might have been pursuing us?"
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She knows that she's still awash in river filth, and painfully aware of the bit of dried blood in her hair. Nevertheless, he's a big boy and if he has a problem with her nudity, she trusts he'll say something. She bends and fishes her sonic screwdriver out of the pocket of her trousers, and uses it to heat the water in the pitcher on the side board. She pours the now steaming water into the basin, and wets a face cloth, wringing it out.
Her eyes close as she wipes her face and throat, and he can hear her sigh, long and drawn out.
"Remind me never to play cards with you."
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It is possible that he might have, if he was not so distracted.
(His eyes had been following a drop of water that started to slide beneath her collarbone.)
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"You play your cards very close to the chest. Humans tend to communicate all the time, a never ending stream of information, 90% of it non-verbal, even when they don't know they're doing it. You?"
She smirks at him and gives a little headshake, hands rising and wringing out the cloth.
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His pulse rate, for example. Or the fact that the average duration of time between the blinks of his eyes has become noticeably shorter. Or that even his breathing is slightly faster, as his systems try to regulate an increase in temperature.
"In regards to what humans communicate, it does not give me as much of an advantage as one might assume. I do not always interpret the signs correctly." There is something almost vulnerable in his expression as he makes this observation, like it is more of a question.
(But River may notice that his gaze is not quite directed at her face in the glass. It is slowly tracing the curves of her neck and shoulders, like a paintbrush trying to capture them on a canvas.)
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"Yes, we're very complex machines in our own right, aren't we? But I think you understand us far more than you give yourself credit for. And besides," she turns to look at him over her shoulder, "part of the allure of such interactions is the uncertainty."
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"But I assure you, I am somewhat inept when it comes to deciphering human body language. I do not have the instinct that most humans seem to possess.
"I would guess... that you are probably better at reading people than I am..."
His eyes have slipped somewhere down by her waist at this point.
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"But then, I have the advantage of being born to it."
She shifts her weight to one leg, one hip dropping as she lifts her foot to balance on just her toes, the other hip extending to counterbalance, a classical posture that makes her look like a Greek sculpture.
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He does not get very far with his analysis, however. Both because he does not have enough information and because he is still distracted. (He does far too much painting, he realizes. He should really endeavor to explore sculpting processes more fully sometime...)
His mouth is slightly open for a few moments before he speaks again. "But you say you have difficulty reading me?" He manages to bring his gaze back up to her face by the end of the sentence.
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"I can't tell if you're just curious about the female form or if you're aroused. The latter is a bit of a stretch to assume, but seeing as your form is human, and everything I've seen of your behaviour is based on a standard human template, I can't help but wonder if whoever created you saw fit to include courtship and reproductive behaviours as well."
She's an archaeologist by profession. The degrees in anthropology, sociology and psychology are all adjunct to that.
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(He has a theory, regarding human "instinct." He sometimes wonders if it is associated with the phenomenon known as "wishful thinking," if perhaps humans seem to know what others are thinking simply because they happen to want the same thing at the same time.
At this moment, he is wondering if a similar thing is affecting his systems as well.)
"I am not... capable of reproduction, in the biological sense," Data notes. "But I have been programmed in a broad variety of... pleasuring techniques..."
He still has not answered the question she is wondering about.
...Or has he?
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She's still watching him in the mirror, her eyes sparking with mirth.
"So you're capable of giving pleasure -- sexual pleasure, so we're clear on the subject -- but are you programmed to have an emotional response? Do you experience attraction and fascination? Do you get aroused?"
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"I am programmed with appropriate emotional responses," he tells her. "I have always been quite fascinated with the experience, and I would even say that I have been attracted to people." Not often, but it has happened. (Now, for example.)
"I am not certain that I would classify what I experience as 'arousal,' however, since much of arousal is based on physical pleasure. My systems are designed to simulate certain physical responses, but it does not feel like anything in particular to me."
She may notice that he is on the verge of babbling again; he has started talking faster, instead of pausing periodically like he was a few moments ago.
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"Wait, hold on a moment. You don't feel physical pleasure?"
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"Is it a signal degradation issue? Or is it that your neural net has limiters?"
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She's already turning back to the table, and retrieving the small device again.
"This is a sonic screwdriver. It's Time Lord technology, and if you'd permit me, I'd like to take a look at..." Again her voice tapers off, and she stops just in front of him, one hand on her hip, naked as the day is long.
Her expression softens and she rests a hand on his arm.
"Listen to me. Asking to see your interior without so much as a by your leave. Captain. Data. I find that I'm fiercely attracted to you, and I think, I mean I thought I was getting that you felt the same way. Only, if you can't feel pleasure, I don't believe I could, in good conscience, use you for my own nefarious purposes. It would be greedy and selfish of me."
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He slips one hand around to the small of her back, pulling her into a gentle, grateful kiss.
"Permission granted," he tells her softly, pulling back. "And 'for the record,' as the human expression goes, I would not have considered it at all selfish on your part. I very much want to be with you, if you would have me, and would enjoy it greatly."
He actually takes a deep breath after saying that. His pulse is running even faster than it was before, as he considers what he has just agreed to. Technology in the 52nd century is surely better than 24th-century technology, so it is easily conceivable that she will be able to find a solution to the problem.
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"As flattering as that is, and it is flattering to think of laying on that bed and letting you turn me inside out with your -- 'pleasuring techniques' -- I rather enjoy the thought of sharing that experience with you. Good sex is about letting go and enjoying yourself. And I can't do that if I think you're on the outside, looking in. Does that make sense?"
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His eyes dart around her face for a few moments. With her hands on his chest, River might be able to feel the vibration of the pumping mechanism in his heart, which is currently operating at approximately 100 beats per minute.
Eventually, he leans in and kisses her cheek, softly but intentionally, back next to her ear.
"Let me know how I may assist you."
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"You're shielded, fairly well, and yes, I did try to scan you earlier. My curiosity got the better of me. Call it the academic equivalent of taking a peek at your arse," she grins and winks at him.
"Do you have a maintenance port of some sort?"
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"Several," he replies. "I assume that the one closest to my central processing unit will be the most useful to you."
He steps back just enough to give himself room to reach up to the right side of his head, and removes the panel on the side with a click. There is an port meant for some type of cable in the center, but it is possible to observe and scan his circuitry without using it.
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He does, and she takes a moment to examine what's in front of her. "Some day," she muses, "I would love to see your schematics. And that's not a euphemism."
She thumbs the sonic screwdriver to life.
"Diagnostic first. This might tickle."
The green light plays over the circuits and she takes a moment to skim the readout. A few moments go by as she assesses what she's seeing.
"Your neural net is amazingly advanced for 24th century technology. Quite impressive. I see you have the capacity for all the possible emotive permutations. Whoa. What on -- that's not standard. Have you been modified by a technology outside your own?"
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He thinks it is a little ironic, that she speaks of "tickling" when the lack of which is exactly the problem they would like to fix. Nevertheless, the fact that he is allowing her to access the most delicate parts of his inner workings is not without significance-- it never has been, since Data activated his emotional programming-- and it has noticeable emotional repercussions. It is both the anxiety and the thrill of being somewhat vulnerable, of trusting someone enough to let them in.
When she asks the question, Data looks confused for a moment, as he is not immediately certain what she is referring to. But he quickly remembers.
"Yes. I was captured by a race of partially cybernetic life forms who successfully grafted organic skin to my endoskeletal structure," he replies. "I suppose that there are traces of the necessary programming left behind in my positronic network. I did not realize."
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It takes her a few minutes to find all the connections, but slowly, new sensations come online. Oddly, the first one is scent, followed closely by taste, and then his skin begins to wake up. She's flagged that leftover Borg protocol so he can see it in his own diagnostic programming, and now she's using it to network his external sensors with the parts of his emotional chip that define some very base and visceral sensations.
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