ol_yellow_eyes (
ol_yellow_eyes) wrote2010-11-06 12:36 pm
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OOMM: Data and River in London
[OOC: Continued from here.]
It had been going so well.
What started as a casual evening stroll through Highgate Cemetery in 19th-century London somehow turned into a flight for their lives. Data did not know why they were running, only what they were running from-- three rather large human males, who seemed quite angry about something. He had also caught glimpses of weapons in their possession, namely a pistol and what seemed to be a horsewhip. (He might have wanted to observe them more closely if he had not been so concerned for River's safety.)
She knew the city better than he did, and she was the one who suggested they take advantage of the city's sewage system.
And that is how they ended up here.
Data turns to River finally. "Now that we are no longer in immediate danger, may I ask why those men might have been pursuing us?"
It had been going so well.
What started as a casual evening stroll through Highgate Cemetery in 19th-century London somehow turned into a flight for their lives. Data did not know why they were running, only what they were running from-- three rather large human males, who seemed quite angry about something. He had also caught glimpses of weapons in their possession, namely a pistol and what seemed to be a horsewhip. (He might have wanted to observe them more closely if he had not been so concerned for River's safety.)
She knew the city better than he did, and she was the one who suggested they take advantage of the city's sewage system.
And that is how they ended up here.
Data turns to River finally. "Now that we are no longer in immediate danger, may I ask why those men might have been pursuing us?"
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There is a slight smile playing on his lips as his voice trails off; he is relieved that she seems to be okay, that she is talking again. But he wonders-- a little anxiously-- if there is anything else he can do for her.
"Are you certain you are all right?" he asks. He needs her reassurance before he will let her get up.
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"My head is killing me," she confesses, looking a bit sheepish.
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"Perhaps you should rest a bit before attempting to stand," he says, almost like a question.
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"We need to get moving. They'll figure it out soon enough. Do you have some sort of mapping technology? I can give you -- oh -- coordinates. In case I, heaven forbid, lose consciousness again."
She really would like for that not to happen, please. Bad enough he's seen her with her hair all bedraggled, looking like something the cat dragged in.
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"You're not injured, are you?" Her voice is tinged with worry, and no small amount of chagrin, embarrassed for having waited so long to inquire.
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He adjusts to bring himself up to a kneeling position, still holding onto her. "Would you like help standing up?"
He is only asking to be polite-- he will help her whether she wants it or not.
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She laughs under her breath, and then winces, her eyes squinting shut. "I've stashed a medkit at the hotel. I think perhaps -- we shouldn't dawdle."
Understatement. If she really is concussed, she'll need medical attention right quick.
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He starts to help her walk, but he does mention, "I could simply carry you, if you prefer."
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She wraps a hand around his waist, looking up at him with a strange look in her eye.
"Just pretend that I've had too much to drink. We're not too far."
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He nods once in response to her suggestion, and brings one arm around her back to support her. He will lead her like this all the way to the hotel, if River is able to walk that far.
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"She'll be wanting her cut, later, I suppose." River keeps him close as she fishes out the key to the room she keeps.
The room is small, a simple bed in one corner, with a wash basin and a wardrobe. There's a table with two rickety old chairs as well. She settles into one of these chairs with a wince and a sigh.
"Under the bed." He'll find a beat to hell leather bag that reveals a very advanced medkit inside.
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As he works, he asks, "Do you store any clothing in this room that you might be able to change into?"
Also, noting that the chair does not look very comfortable, he adds, "Are you certain you would not prefer to lie down?"
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She tries to laugh, and winces again, idly waving a hand at the wardrobe.
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But he notices her indicating the wardrobe, and remembers what he needs to do. So he gets up to open it and look inside for something dry and warm.
"I did not mean to imply that," he mentions, a little awkwardly, knowing full well that she is aware of that and was simply making a joke. He is feeling oddly embarrassed, suddenly...
...And now that the thought is there, he seems strangely preoccupied with it, like he is experiencing a feedback loop in his neural network.
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In the wardrobe he finds a woman's plain cotton shift, and the black over dress of a washer woman. She takes them from him, and catches his eye.
"I'm sorry. I didn't mean to make you uncomfortable."
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(Ever since Data has had the capability to feel nervous, he has noticed an odd pattern:
He tends to babble.)
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When she speaks, her voice is pitched low, a husky tone that betrays a certain amount of arousal.
"It wasn't awkward, and it certainly wasn't difficult, Captain.
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"You should change," he mentions. But he does not immediately move to give her room to do so.
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"You're not the first person to say that, but I assure, my nature is quite ingrained." The quip is punctuated with a cheeky wink.
"But you're right." She finally lets him go, and without any sort of attempt at shame, she starts unbuttoning her blouse.
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The rate of his pulse-- if one can call it a "pulse"-- has increased quite significantly. His external temperature is higher than normal, though there is no discoloration that would indicate a flush. But his mental processes are running at an unusually fast rate, as he ponders all of the possible signs of arousal he has noticed in River. This is the part he still has difficulty with... He can read the signs, but he would still prefer it if he had some sort of instinct he could rely on...
He pauses after closing the medkit. He is still politely averting his eyes despite their relatively close proximity.
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She has curves. Curves upon curves. She is a woman in her prime and it shows.
"Didn't know your programming included a modesty algorithm." He's learning to recognise that saucy lilt in her voice as an affectionate tease.
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"It does," he replies, his back turned. "I did not have it originally, I was told, but apparently it became necessary." He stops there, noticing a small surge of the emotion he has come to know as embarrassment. And suddenly he wonders why he told her that.
Now that the medkit is back in its proper place, Data stands up again, not quite sure what to do with himself.
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"Body modesty is such a quaint custom, I find. Too many years working in subtropical regions, I suppose. It's all right. You can look if you like."
She knows she's making him uncomfortable, but she gets the sense that sometimes he needs to be shoved bodily out of his comfort zones.
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And he looks.
She is beautiful. All organic life is beautiful, he thinks, in a way that is natural and flowing and imperfect, but he cannot miss the fact that River is a fine specimen of her species. A woman in her prime, indeed-- her curves indicate every traditional ideal of fertility and sensuality. Grace and confidence seem to radiate from her in a way that his senses can almost detect physically, and it is clear to him that she is just as comfortable with his gaze as she had implied.
It is probably impossible to tell that this is what he is thinking, however. He has not moved; he is simply looking, with an expression that is perhaps unreadable.
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