ol_yellow_eyes (
ol_yellow_eyes) wrote2010-11-06 12:36 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
OOMM: Data and River in London
[OOC: Continued from here.]
It had been going so well.
What started as a casual evening stroll through Highgate Cemetery in 19th-century London somehow turned into a flight for their lives. Data did not know why they were running, only what they were running from-- three rather large human males, who seemed quite angry about something. He had also caught glimpses of weapons in their possession, namely a pistol and what seemed to be a horsewhip. (He might have wanted to observe them more closely if he had not been so concerned for River's safety.)
She knew the city better than he did, and she was the one who suggested they take advantage of the city's sewage system.
And that is how they ended up here.
Data turns to River finally. "Now that we are no longer in immediate danger, may I ask why those men might have been pursuing us?"
It had been going so well.
What started as a casual evening stroll through Highgate Cemetery in 19th-century London somehow turned into a flight for their lives. Data did not know why they were running, only what they were running from-- three rather large human males, who seemed quite angry about something. He had also caught glimpses of weapons in their possession, namely a pistol and what seemed to be a horsewhip. (He might have wanted to observe them more closely if he had not been so concerned for River's safety.)
She knew the city better than he did, and she was the one who suggested they take advantage of the city's sewage system.
And that is how they ended up here.
Data turns to River finally. "Now that we are no longer in immediate danger, may I ask why those men might have been pursuing us?"
no subject
no subject
She holds it up and thumbs it to life, flipping through the settings like her life depended on it. Which it does, really. Something sings in the air around her face, and when she next speaks, the sound is somewhat muffled.
"Two minutes of air. On your mark!"
no subject
He lets go of her hand when they hit the water, both because it will make swimming easier for her, and because he will probably sink a bit further than she will. He has perfected an internal flotation system, though, and should be able to maintain a similar bouyancy to her. The current should aid their progress.
no subject
She tucks her hands and feet, a harsh gasp escaping her lips as the cold of the water shocks her system. Numb fingers claw at the tumult, and she can't see. She tries to keep her breathing under control, but it's no use, being hammered as she is on all sides by the massive weight of the torrent.
Something tears at her sleeve and she grips the sonic screwdriver even tighter, feeling her body spin and tumble. There's a harsh crack and her vision dims and goes black.
Captain Data, have one utterly unconscious time travelling archaeologist of dubious origins. At least she still has a minute of air remaining?
no subject
Unfortunately, swimming while holding onto somone is significantly more difficult, and his progress will be slowed somewhat. He has to shield her several times from hitting the walls of the narrow tunnel they are in, when his attempts to fight the current are unable to keep him from knocking into the sides.
It takes more than one minute. River will be without air for a brief period of time.
He pulls her out of the water and onto the muddy riverbank. Without letting go of her waist, he brings his head to her chest to listen for fluid in her lungs. She seems to have swallowed a lot of water, but she still has a pulse.
no subject
"Not as elegant an escape as -- I could hope for -- but -- effective..."
He'll notice she tucks the sonic screwdriver back in its holster at her waist.
"Now we really need a bath and a change of clothes."
no subject
There is a slight smile playing on his lips as his voice trails off; he is relieved that she seems to be okay, that she is talking again. But he wonders-- a little anxiously-- if there is anything else he can do for her.
"Are you certain you are all right?" he asks. He needs her reassurance before he will let her get up.
no subject
"My head is killing me," she confesses, looking a bit sheepish.
no subject
"Perhaps you should rest a bit before attempting to stand," he says, almost like a question.
no subject
"We need to get moving. They'll figure it out soon enough. Do you have some sort of mapping technology? I can give you -- oh -- coordinates. In case I, heaven forbid, lose consciousness again."
She really would like for that not to happen, please. Bad enough he's seen her with her hair all bedraggled, looking like something the cat dragged in.
no subject
no subject
"You're not injured, are you?" Her voice is tinged with worry, and no small amount of chagrin, embarrassed for having waited so long to inquire.
no subject
He adjusts to bring himself up to a kneeling position, still holding onto her. "Would you like help standing up?"
He is only asking to be polite-- he will help her whether she wants it or not.
no subject
She laughs under her breath, and then winces, her eyes squinting shut. "I've stashed a medkit at the hotel. I think perhaps -- we shouldn't dawdle."
Understatement. If she really is concussed, she'll need medical attention right quick.
no subject
He starts to help her walk, but he does mention, "I could simply carry you, if you prefer."
no subject
She wraps a hand around his waist, looking up at him with a strange look in her eye.
"Just pretend that I've had too much to drink. We're not too far."
no subject
He nods once in response to her suggestion, and brings one arm around her back to support her. He will lead her like this all the way to the hotel, if River is able to walk that far.
no subject
"She'll be wanting her cut, later, I suppose." River keeps him close as she fishes out the key to the room she keeps.
The room is small, a simple bed in one corner, with a wash basin and a wardrobe. There's a table with two rickety old chairs as well. She settles into one of these chairs with a wince and a sigh.
"Under the bed." He'll find a beat to hell leather bag that reveals a very advanced medkit inside.
no subject
As he works, he asks, "Do you store any clothing in this room that you might be able to change into?"
Also, noting that the chair does not look very comfortable, he adds, "Are you certain you would not prefer to lie down?"
no subject
She tries to laugh, and winces again, idly waving a hand at the wardrobe.
no subject
But he notices her indicating the wardrobe, and remembers what he needs to do. So he gets up to open it and look inside for something dry and warm.
"I did not mean to imply that," he mentions, a little awkwardly, knowing full well that she is aware of that and was simply making a joke. He is feeling oddly embarrassed, suddenly...
...And now that the thought is there, he seems strangely preoccupied with it, like he is experiencing a feedback loop in his neural network.
no subject
In the wardrobe he finds a woman's plain cotton shift, and the black over dress of a washer woman. She takes them from him, and catches his eye.
"I'm sorry. I didn't mean to make you uncomfortable."
no subject
(Ever since Data has had the capability to feel nervous, he has noticed an odd pattern:
He tends to babble.)
no subject
When she speaks, her voice is pitched low, a husky tone that betrays a certain amount of arousal.
"It wasn't awkward, and it certainly wasn't difficult, Captain.
no subject
"You should change," he mentions. But he does not immediately move to give her room to do so.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)